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Notes on Circularity
The design, production, distribution, and use of fashion in modernity are obsolete. Our generation has been responsible for coming together collectively and redesigning industry traditions. Creating a regenerative and restorative industry remains at the forefront of fashion’s future. The goal is to evaluate the cultural function of fashion. Fashion is not just about identity but about following the evolution of humanity. Its fundamentals have long been about designing to match ‘what’s next.’ In order to satisfy this praxis and achieve future prosperity, we must embrace new models that can ensure the stability of resources. Circularity goes beyond minimizing harm and is about reinventing solutions to combat climate crises, social implications, biodiversity loss, and pollution. Unlike the current linear economic model, the circular structure intends for products to be reworn, reworked, shared, rented, or sold. With innovations, we can pave ways towards overcoming global challenges and designing for a thriving collective future that is self-sustainable.
Impacts of Modernization on Artistry
Much of my discourse concerns the relationships between businesses, consumers, and the environment. These new challenges presented by the current state of fashion reflect the significant implications of our interactions with our surroundings on a global scale. My concentration anticipates how the implications of globalization have reoriented the entire fashion industry and stripped consumers of appreciation of goods. The attributes of globalization I plan to pursue refer to the various issues centered around political, geographical, and ethical contexts. How did we get to where we are today? Where do we go from here? Is it possible for this industry to be harmonious with its surroundings? Can we reinstate the emotional and physical durability of garments?